Four decades of photographic practice. The work returns to the same sites and images, the same bodies, objects, and archives, as continuing events. These returns make no attempt to complete the work — each one encounters it again from a changed position, the site altered, the body altered, the archive altered with them. Photography is my response to this still-unfolding condition: a way of dwelling with forms and places, with experiences that remain active across time.

The archive runs from the early 1980s to the present. It has been digitised from original negatives and transparencies scanned on Hasselblad Flextight scanners, with silver gelatin fibre prints and Polaroid work rephotographed on digital medium-format cameras. The digitised versions are later states of the work rather than copies of the originals, made through specific machines and software, and through renewed acts of interpretation.